While in New York City last week, I had the amazing opportunity to see many of the newly opened shows currently playing on Broadway. Seeing new theatre is pretty much my favorite thing to do, and I think this season on Broadway was especially important—it featured a large amount of racial and gender diversity both onstage and behind the scenes, and many of the shows featured new, challenging, innovative themes. Here’s what I thought of my favorite shows that I saw:
What the Constitution Means to Me
What the Constitution Means to Me is a play both written by and starring Heidi Shreck, a woman who gave speeches on the Constitution as a teen. The play contrasts her teen self’s opinions with her opinions on the Constitution now that she’s an adult. Rather than serving as an escape from reality as many shows do, Constitution serves as a call-to-action in response to the injustices that women face in the United States, partly because they are still not explicitly protected under the Constitution. The show dives into other heavy topics, including abortion and domestic violence, and you’re probably reading this and thinking, Wow. That sounds like the most depressing play ever, I promise you, it’s not. The play concludes with a live debate between Heidi and a teenage girl. Each night, they flip a coin to decide who will be arguing for and who will be arguing against abolishing the Constitution and creating a new one. The play was extremely thought-provoking, mentally challenging, and empowering. It left me thinking about its themes for many days after, which in my book, is a piece of theatre fulfilling its job.

Be More Chill
I saw Be More Chill for the first time in March, and I loved it so much I had to see it a second time. It tells the story of high schooler Jeremy Heere, who will do (literally) anything to be popular. Jeremy swallows a pill-sized supercomputer that tells him what he needs to do to be chill. Be More Chill markets itself as a cross between Dear Evan Hansen and Little Shop of Horrors, and I’d say that sums it up well. While the show does have some science fiction elements, it’s the heart at the center of the story that makes me love it so much. This is most clearly seen in the act two showstopper, “Michael in the Bathroom.” Sung by Jeremy’s best friend Michael Mell, he basically experiences a panic attack onstage as he grapples with isolating loneliness and alienation from his peers. It is also, in my opinion, one of the best songs in musical theatre history. Every time I see it or hear it, I can’t help but be completely captivated by the rawness and vulnerability of it.
The Secret Life of Bees
This was the only off-Broadway show I saw on the trip, yet it was one of the best pieces of theatre I saw. The show was staged at a tiny church that had been converted into a theatre, but the cast featured multiple Tony winners and nominees. It felt as though their talent was literally booming out of that tiny theatre, and it was an absorbing, uplifting show based on the book of the same name. (Fun fact: when I was a freshman in high school, I got in trouble in English class for fangirling too hard over the book. True story.) Even being a huge fan of the book, the musical completely surpassed all my expectations. Mark my words, this show will be moving to Broadway in the near future.

Tootsie
If I’m being honest, I was not super excited to see Tootsie at first, as I had never felt compelled to watch the movie. I’m also not typically a huge fan of musical comedies because I tend to prefer deeper storylines. However, I loved Tootsie. I thought it was hilarious and extremely entertaining. The show featured a lot of humor that only people who have experience acting would understand, so I greatly enjoyed being in on the jokes. I also got to see Tootsie the day after the show’s lead, Santino Fontana, won Best Actor at the Tony Awards. There’s a line in the show where someone says to Santino, “People say you were going to win a Tony Award,” and in that moment, the entire audience cheered and screamed for about 45 seconds. Santino got so embarrassed that he hid behind the couch onstage. That was one of my favorite moments, so I’m glad I happened to be in the audience that night.
Hadestown
I got to see Hadestown just three days after it swept the Tony Awards and took home the grand prize of Best Musical. I have to say that its Tony wins were well deserved. I was extremely excited for this show because it was directed by (my queen) Rachel Chavkin, whose work I fell in love with after seeing Natasha, Pierre, and the Great Comet of 1812. Hadestown is based on the Greek tragedy/love story of Orpheus and Eurydice. The show is a beautiful work of art that is so intimate and complex that I couldn’t help but feel transported to the underworld. I also think that Hadestown featured the strongest collective cast out of the shows I saw. Everyone, from the leads to each member of the ensemble, was phenomenal and fully present the entire time. Hadestown also happens to be only the second Broadway musical ever to have an all-female creative team, and it was the first to win Best Musical. The beauty, depth, and originality of Hadestown proves to me that there is a great need for Broadway to have more women on its creative teams.

Oklahoma!
The last show I saw on my trip was the new revival of Rodgers and Hammerstein’s Oklahoma! It is not the bright and cheery Oklahoma! that you’re probably picturing. This production is dark, eerie, and truly experimental. It is one of the most original pieces of theatre I’ve ever seen, which is shocking since it’s a revival of a show that premiered almost 80 years ago. None of the show’s original words were changed; all that changed was how the words were said. I don’t think I will ever be able to see a normal production of Oklahoma! the same way ever again. This show also has a radical staging and lighting design. Some scenes used harshly bright lights, which in the arena-style theater, allowed you to see every single audience member, while other scenes were performed in the pitch dark. To give the show an even more immersive feel, they served chili and cornbread to the entire audience at intermission. This had to be one of my favorite shows of the week, as it pushed all boundaries of what we expect a classic piece of theatre to look like. It made me question how the messages of other classic shows could be altered when performed in a new way.

Meeting Rebecca Naomi Jones, who plays Laurey in Oklahoma!























