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Cami Hancock New York

NYC Part 2: A Full Week of Broadway Shows

While in New York City last week, I had the amazing opportunity to see many of the newly opened shows currently playing on Broadway. Seeing new theatre is pretty much my favorite thing to do, and I think this season on Broadway was especially important—it featured a large amount of racial and gender diversity both onstage and behind the scenes, and many of the shows featured new, challenging, innovative themes. Here’s what I thought of my favorite shows that I saw: 

What the Constitution Means to Me

What the Constitution Means to Me is a play both written by and starring Heidi Shreck, a woman who gave speeches on the Constitution as a teen. The play contrasts her teen self’s opinions with her opinions on the Constitution now that she’s an adult. Rather than serving as an escape from reality as many shows do, Constitution serves as a call-to-action in response to the injustices that women face in the United States, partly because they are still not explicitly protected under the Constitution. The show dives into other heavy topics, including abortion and domestic violence, and you’re probably reading this and thinking, Wow. That sounds like the most depressing play ever, I promise you, it’s not. The play concludes with a live debate between Heidi and a teenage girl. Each night, they flip a coin to decide who will be arguing for and who will be arguing against abolishing the Constitution and creating a new one. The play was extremely thought-provoking, mentally challenging, and empowering. It left me thinking about its themes for many days after, which in my book, is a piece of theatre fulfilling its job.

Be More Chill

I saw Be More Chill for the first time in March, and I loved it so much I had to see it a second time. It tells the story of high schooler Jeremy Heere, who will do (literally) anything to be popular. Jeremy swallows a pill-sized supercomputer that tells him what he needs to do to be chill. Be More Chill markets itself as a cross between Dear Evan Hansen and Little Shop of Horrors, and I’d say that sums it up well. While the show does have some science fiction elements, it’s the heart at the center of the story that makes me love it so much. This is most clearly seen in the act two showstopper, “Michael in the Bathroom.” Sung by Jeremy’s best friend Michael Mell, he basically experiences a panic attack onstage as he grapples with isolating loneliness and alienation from his peers. It is also, in my opinion, one of the best songs in musical theatre history. Every time I see it or hear it, I can’t help but be completely captivated by the rawness and vulnerability of it.

The Secret Life of Bees

This was the only off-Broadway show I saw on the trip, yet it was one of the best pieces of theatre I saw. The show was staged at a tiny church that had been converted into a theatre, but the cast featured multiple Tony winners and nominees. It felt as though their talent was literally booming out of that tiny theatre, and it was an absorbing, uplifting show based on the book of the same name. (Fun fact: when I was a freshman in high school, I got in trouble in English class for fangirling too hard over the book. True story.) Even being a huge fan of the book, the musical completely surpassed all my expectations. Mark my words, this show will be moving to Broadway in the near future.

Tootsie

If I’m being honest, I was not super excited to see Tootsie at first, as I had never felt compelled to watch the movie. I’m also not typically a huge fan of musical comedies because I tend to prefer deeper storylines. However, I loved Tootsie. I thought it was hilarious and extremely entertaining. The show featured a lot of humor that only people who have experience acting would understand, so I greatly enjoyed being in on the jokes. I also got to see Tootsie the day after the show’s lead, Santino Fontana, won Best Actor at the Tony Awards. There’s a line in the show where someone says to Santino, “People say you were going to win a Tony Award,” and in that moment, the entire audience cheered and screamed for about 45 seconds. Santino got so embarrassed that he hid behind the couch onstage. That was one of my favorite moments, so I’m glad I happened to be in the audience that night.

Hadestown

I got to see Hadestown just three days after it swept the Tony Awards and took home the grand prize of Best Musical. I have to say that its Tony wins were well deserved. I was extremely excited for this show because it was directed by (my queen) Rachel Chavkin, whose work I fell in love with after seeing Natasha, Pierre, and the Great Comet of 1812. Hadestown is based on the Greek tragedy/love story of Orpheus and Eurydice. The show is a beautiful work of art that is so intimate and complex that I couldn’t help but feel transported to the underworld. I also think that Hadestown featured the strongest collective cast out of the shows I saw. Everyone, from the leads to each member of the ensemble, was phenomenal and fully present the entire time. Hadestown also happens to be only the second Broadway musical ever to have an all-female creative team, and it was the first to win Best Musical. The beauty, depth, and originality of Hadestown proves to me that there is a great need for Broadway to have more women on its creative teams.

Oklahoma!

The last show I saw on my trip was the new revival of Rodgers and Hammerstein’s Oklahoma! It is not the bright and cheery Oklahoma! that you’re probably picturing. This production is dark, eerie, and truly experimental. It is one of the most original pieces of theatre I’ve ever seen, which is shocking since it’s a revival of a show that premiered almost 80 years ago. None of the show’s original words were changed; all that changed was how the words were said. I don’t think I will ever be able to see a normal production of Oklahoma! the same way ever again. This show also has a radical staging and lighting design. Some scenes used harshly bright lights, which in the arena-style theater, allowed you to see every single audience member, while other scenes were performed in the pitch dark. To give the show an even more immersive feel, they served chili and cornbread to the entire audience at intermission. This had to be one of my favorite shows of the week, as it pushed all boundaries of what we expect a classic piece of theatre to look like. It made me question how the messages of other classic shows could be altered when performed in a new way.

Meeting Rebecca Naomi Jones, who plays Laurey in Oklahoma!

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Grace Koepele Italy

When in Doubt, Sing it Out

The past two weeks in Vicenza were a whirlwind, but in the best possible way. With four host sisters, five coworkers, 30+ mosquito bites, and 60+ campers—there was never a dull moment.

Vicenza is a cozy city which rests between Verona and Venice in the north-eastern region of Veneto. It is well regarded as the ‘salon of Veniceʼ due to its comfortable, tranquil, and welcoming nature. With many masterfully built and beautifully-aging buildings, Vicenza sets a gorgeous landscape for the lively, yet quiet, stream of people that pass through its stone streets.

My host family, the Horatz family, lives right in the city center—which blessed me with a blissful five-minute walk to camp each morning. Though only the younger two sisters—Ludovica and Vittoria—attended camp with me, I was able to spend time with the older two—Sofia and Anna—in the evenings as well. In all honesty, I could not have asked for a better family to begin my summer with. Their parents—Christopher and Francesca—were always excited to talk in English or Italian, with the occasional conversation in German amongst themselves or with their children. Their multi-lingual household always kept me on my toes and made every conversation a fun combination of speaking and also exchanging new words with one another. (Christopher found it especially comical when words between Italian and English seemed to only change in pronunciation but were still different enough that we had to ask one another for the equivalent on a number of occasions).

Francesca is an absolute master in the kitchen, and so every meal was truly delicious (and incredibly healthy). Each meal became something I looked forward to not only for the food but for the company as well; from the very beginning I felt as though I was a part of the family and as the days passed I only grew closer with each of them.

The only downside to my time in Vicenza was the mosquito population from hell; it became a running joke with my host family that I was too nice or that I sweat sugar because the mosquitoes seemed to fly past absolutely everyone just to bite me! Some heavy-duty insect repellent and lots of long shirts and pants (much to my host motherʼs dismay) seemed to only slightly sway their advances. Never-the-less, any time spent outside— especially with my family—was well worth the free blood drive! (Although I must admit the bite on the inside of my palm was particularly rude).

Every camp day began with two extremely enthusiastic ACLE songs and a game or two. Due to the fact that I led the youngest children, between the ages of six and eight, my days almost entirely consisted of games and songs —something I enjoyed immensely but which also contributed to the loss of my voice over my birthday weekend! But alas, with the vocal assistance of my helper Maria and even more gesticulating and emoting throughout the few camp days where I was practically mute, we had an exciting time learning and playing together. One game in particular was so popular with the kids (it consisted of asking to go to the bathroom and being chased by “toilet monsters”) that I ended up having each of my kids sing “Can I Go To The Toilet Please” to me before they used the bathroom in an effort to teach them this important, and seemingly somewhat difficult to pronounce, question. After the success of the toilet monster song and game, it became even more evident how impactful the melodies and rhymes of ACLEʼs curriculum have on helping the children connect with and master English.

In these two weeks I may have needed to use 50+ stickers, I may have mysteriously lost absolutely all of my pink or red markers, I may have been actually handed spit and snot, and I may have taken a power nap on the floor of the staff room (more than once) but there is no doubt in my mind that these stumbling blocks happened for a reason; Each kid left camp with at least five new English songs, an extremely colorful and heavily-stickered activity book, a snazzy ACLE T-shirt, many variations of the game “Captainʼs Coming” (each adaptation complete with whatever set of vocabulary the tutor who played it decided we needed to learn or practice), and a smile.

Though I am already plagued by the horror that is realizing I now have ACLE songs such as “Bananas, Coconuts, and Grapes” or “P-A-R-T-Y” on repeat in my head when I do almost anything, I am eager to meet more people, sing more songs, see more places, and continue the work. I wouldnʼt have it any other way (except maybe without the mosquitoes). ‘Til then, ciao for now!

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Grace Koepele Italy

Starting in Sanremo

After landing in Milan exploring for a day, I took a train to the gorgeous city of Sanremo to begin my orientation training for ACLE. The orientation took place at the mountaintop Nyala Suite Hotel along with 45 other native English speakers from America, Australia, Canada, Ireland, the United Kingdom, South Africa, and Uruguay. The hotelʼs breathtaking rooftop views of the Mediterranean Sea and the mountains helped ease the exhaustion that immediately settled in after long days of training.

Each day brought new games, techniques, songs, and excitement for the summer of teaching, connecting, and exploring ahead of me.

“Emotions generate learning”: This is the idea that Arrigo Speziali, the founder of ACLE, based the entire theater and play-rooted approach to language learning on. While ACLE has grown significantly since it first began more than 10 years ago, Speziali took the time to visit our orientation during the week to see our progress, talk with us, and share advice for our upcoming endeavors in Italy. He spoke most prominently of how love and connection help foster learning and the intrinsic motivation to learn.

(continues after photos)

ACLEʼs playful approach to learning shows children that grammar and precision are not so important at the end of the day: instead, their ability to connect with others through their journeys to fluency is what will help them grow most.

Another key element of ACLEʼs teaching approach includes “Process Drama,” a technique in which tutors and students assume certain roles within the story that they are following (e.g., a United Nations meeting, a job interview, etc.) and act how they imagine their character would act in these situations. Process Drama allows the campers to worry less about how their own opinions may be perceived and focus more on their ability to understand and speak English. It also helps foster their creativity and teach them about important topics such as this yearʼs theme of environmental protection.

I am excited to see how these theatrical techniques help the campers grow more confident in their English, learn new things, and connect with one another in a fun and playful way!

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Cami Hancock New York

NYC Part 1: My Favorite Adventures

This past week I traveled to my favorite place in the entire world: New York City. I believe there is no place more beautiful or exciting, not to mention it is also the theatre capital of the world. On this trip, I went with my mom, and we had a fantastic time exploring new neighborhoods, seeing eight shows, and attending the Tony Awards! I’m going to be making separate blog posts on the shows we saw and what it was like to attend the Tony Awards, but here are some of my favorite things we did during our days there:

Image shows the author Cami in a summer dress posing with singer Josh Groban, wearing sunglasses.

Meeting Josh Groban at Shake Shack.

On Friday, my mom and I ventured up to Washington Heights, a neighborhood way up on the northern tip of Manhattan. One of my favorite musicals, In the Heights, is being turned into a movie, and my mom and I knew they would be filming in Washington Heights this summer. We wanted to see if we could see any part of the movie being filmed, and we hit the jackpot. We got to see Anthony Ramos and Melissa Barrera, who play the main characters Usnavi and Vanessa, filming a scene and we even got to meet them during their break. My mom and I are huge fans of Anthony Ramos because he was in the original cast of Hamilton, and he was truly one of the nicest people I’ve ever met. We also got to meet the film’s director, Jon Chu, who directed one of my favorite movies: Crazy Rich Asians. Everyone on set was so nice, and I cannot wait to see the In the Heights movie once it’s finally released.

Image shows three people: left Anthony Ramos, middle is the author Cami, and Melissa Barrera far right.

With Anthony Ramos and Melissa Barrera.

Image shows Cami the author posing on the street for a photo with director Jon Chu. Both are smiling for the photo.

With Jon Chu, the director of In the Heights.

On Sunday, my mom and I were eating lunch at the Shake Shack in Madison Square Park. As I was getting up to leave the table, a man asked me if he could have my table, and I said yes. When I glanced up at him, I saw that man was none other than JOSH GROBAN. He was wearing sunglasses, so I wasn’t 100% sure it was him. I told my mom, “I think Josh Groban just asked for my table,” so she went and discreetly asked him while at the condiments bar. He confirmed he was, indeed, Josh Groban, and that he would be presenting at the Tony awards later that night. I got a picture with him, and I was in complete shock for the rest of the day. Magical things happen in New York City.

On Tuesday, my mom and I explored some areas of New York City that we had never been to before, including Grammercy and the West Village. In Grammercy, we found a dog park and got to play with puppies, as well as ate lunch at S’MAC, a mac and cheese restaurant with a dozen different flavors of mac and cheese (so, Grammercy was basically my idea of heaven.) In the West Village, we visited the historic Stonewall Inn, which many people know to be the birthplace of the gay rights movement. June is Pride Month, and I loved getting to visit such an important monument because the events that took place there launched annual Gay Pride celebrations and the long journey towards equal rights for the LGBTQ+ community. It made my heart so happy to see that all areas of New York City were bursting with pride, and the acceptance that NYC has for all people is one of the many reasons it’s my favorite place.

Those were a few of my favorite moments from this week in New York City. I can’t wait to share the rest of the adventures I had with you. As always, NYC made me feel at home and I can’t help but feel that every time I leave, I leave a little piece of myself behind. Until next time, NYC.

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Cami Hancock New York

There’s No Business like Show Business: The Professional Side of Theatre

As I wrote about in my last post, I fell in love with acting at age six, and it quickly became my main passion in life. While I had dreamed of a life onstage for a long time, towards the end of high school, that dream didn’t seem possible for multiple factors—the main one being my health problems that made it difficult for me to act on stage without feeling dizzy. With that, any hope I had of being a professional actor was gone, so I turned my attention towards my other aspiration: teaching.

I had wanted to be a teacher since I was in second grade. The impact that my teachers have had on my life is immeasurable, and I wanted the chance to have that impact on my own students. Entering college, I was an elementary education/RCAH double major. I had no doubts that by the time I graduated in four years, I would be on the path to becoming an elementary school teacher. That just shows that your life’s path can never be predicted. While I knew I would enjoy being a teacher, my other passion, theatre, refused to be ignored.

In the fall of my freshman year at MSU, I joined a student group called the Wharton Center Student Marketing Organization (WCSMO). It’s a student group that markets the Broadway and performing arts shows that come to Wharton Center to MSU students. I joined the club simply because I thought it would give me a chance to talk about Broadway shows with others. I learned that WCSMO did an annual marketing retreat to New York City during spring break where they meet with different theatre marketing agencies. I instantly knew that I wanted to go, mainly because I love the city, and it would give me a chance to see Broadway shows. I was not prepared for the greater effect that the trip would have on me.

Three young women pose for a photo on a New York street.
My roommates and I on the 2019 retreat

On that trip, I got to learn from many executives who worked on Broadway, including marketing/PR directors, company managers, producers, and theater owners. I became completely fascinated by these jobs that I previously had no clue existed. It was then that I realized this is what I wanted to do with my life. About a week after I got home from the trip, I called my mom with the decision that I had been toiling with repeatedly: I told her I would be dropping my education major and instead focusing on pursuing the professional side of theatre. To my shock, she was not at all surprised. She expected that this call was coming, and thankfully she supported my decision.

It’s now two years later, and I’m going strong in pursuing a career on the professional side of theatre. RCAH allows me to explore my main passions—theatre, writing, and social justice—while giving me exposure to other topics as well. I added an Arts and Cultural Management minor, and I am working at the Wharton Center as a marketing intern for their Broadway series. In addition, this past year I served as WCSMO’s treasurer, which means I was in charge of co-planning the NYC marketing retreat. I led a group of 15 students, and we met with agencies such as Disney Theatrical and The Broadway League. I also got to job shadow employees from Broadway.com and New York City Center. It was an awesome experience, and I will be co-planning the trip again in this coming year.

Although my career plans have changed, I’m hopeful that I can still positively impact others while working in the theatre. I wholeheartedly believe in the powers of theatre, and through my career, I will get to share theatre’s capabilities of transforming and healing the lives of people with audiences. My goal is to move to New York City after graduation, and either market or write about Broadway shows. Through my studies, my internship at Wharton Center, and my leadership position with WCSMO, I’m actively working towards this goal every day, and I’m not stopping until I get there.

A diverse group of young women and two men stand for a photo in a restaurant.
The 2019 WCSMO retreat

A side note—on Thursday I’ll be headed to New York City for a week, so my next blog post won’t be until after I get back. The good news is I’ll be posting fun NYC content once I return!

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Cami Hancock

How I Fell in Love with Theatre

At age five, I saw my older cousin (and my idol) Lisa act in a play at a local children’s theater. From that moment on, I begged my parents to let me audition for a show. The minimum age to audition was six, so it wasn’t until the following summer that I finally got my chance.

Although I had spent all those months eagerly anticipating my big break, I was a shy kid and went mute at the audition. Literally, I refused to speak, and I stared at the ground the entire time. The director was giving confused looks at my mom, probably presuming that she was a stage mom and had forced me to be there. By some miracle, I was still cast. The show was Raggedy Ann and Andy at Lansing’s All-of-Us Express Children’s Theater, and I was cast as a witch’s minion.

Raggedy Ann and Andy, 2005

Despite having no lines, I was on cloud nine throughout the entire process of the show. I eagerly awaited the next time I’d get to go to rehearsal, and I felt exhilarated once the show finally started playing to audiences. On the last day of the show, my mom and I were walking out of the theater to go to our car. I didn’t know she had been thinking, I’m glad we won’t have to do this again, when I turned to her and asked, “Mom, when can I act again?” That’s when she knew I had caught the acting bug, and I’ve never been able to get rid of it since.

It’s now 14 years later, and I’ve acted in 30 productions, as well as worked on the crew for at least a dozen more. I’ve acted in both plays and musicals, ranging in everything from The Wizard of Oz to Annie to Little Women to Shrek the Musical. Luckily, I’ve come a long way from refusing to speak at auditions. Acting isn’t just something I enjoy, it’s something that changed my life. When I first began acting, I was a painfully shy kid. In school I wouldn’t talk to anyone and I was extremely unsure of myself. Once I started acting, everything changed. Acting gave me a purpose in life. It gave me something to wake up excited for every day. Most importantly, it has given me the confidence to live life as my most authentic self. Although I’m still an introvert, being onstage is where I come alive and feel most like myself.

I’m extremely lucky that I grew up with so much exposure to theatre. Although All-of-Us Express was particularly crucial in my discovery of myself and my love of theatre, Lansing is saturated with many community and professional theaters. Growing up doing theatre has taught me invaluable life skills, including how to work as part of a team and how to be accountable, as well as given me lifelong friends. Acting allows you the chance to fully embody the life of another character, and because of that, I think acting is largely responsible for my empathy for others.

I don’t like to imagine where I would be if I hadn’t discovered theatre. I believe theatre is the closest thing our world has to magic. I consider it to be the great love of my life, and I believe it will always remain that way. Although I no longer what to be a professional actress, theatre will always be a large part of my life. I now want to work on the professional side of theatre, in either marketing, writing, or some area I’m yet to discover, and continue to act as a hobby. I am eternally grateful for the effect theatre has had on me, and that it has made me the person I am today.

Parade, 2014